There is a cliched moment with his character, but he’s still a badass and, like Keaton, steals every scene. I mean, surely he had a stunt double, right? Samuel L. Also, the action sequences involving the beloved actor are downright incredible. He’s downright ruthless as the big bad’s henchman, and his wavering moral compass and odd admiration for Anna adds great dimension to the character without going in a predictable direction. Michael Keaton is spectacular as Rembrandt. Q is put through the wringer and firmly establishes herself as an action star with work we haven’t seen since Nikita. These calmer moments feature Anna hunting down clues and investigating Moody’s mystery, as well as having her on the wrong end of “enhanced” interrogation when the big boss captures her. I found these dramatic points good counters to the high-energy action. There is a great deal of downtime from the gunplay and martial arts. ![]() In addition, there’s an apartment fight scene that is absolutely jaw-dropping and the most memorable moment of the film. Instead, we get several fun car and bike chases through the streets of Saigon, wonderfully choreographed hand-to-hand knife and gunfights, and it all ends with a nice explosion. The action beats are much more grounded and almost entirely devoid of CG “fix it in post” nonsense. If you’re tired of the over-the-top stunts from the Fast and the Furious franchise, The Protégé is the perfect alternative. “… prolific assassin Rembrandt… kills Anna’s associates…” ![]() Eventually, she is captured and tortured, and soon a world of deceptions and double-crosses from Moody’s past is unveiled. Unfortunately, their investigation draws the interest of prolific assassin Rembrandt (Michael Keaton), whose team kills Anna’s associates, including Moody, Three Days of the Condor fashion. The job is to find the lost son of a business tycoon who died decades ago. It would allow her to quit the business and follow her dream of running a vintage bookstore. Moody’s coughing is cinematic shorthand for the fact he is dying and proposes “one last job” that will set up Anna for life. Now in the present, Anna and Moody have done quite well as killers for hire. So think The Professional and advance it a few decades. ![]() In a moment of compassion, he “adopts” Anna then trains and mentors her to become a top-notch assassin over the following decades. As a young girl in a post-war Viet Nam, she was rescued from a group of traffickers by hired assassin Moody (Samuel L. Instead, they have to be good, and thankfully, director Campbell, screenwriter Richard Wenk, and Q deliver. But the reason films like this succeeds is not because they’re first at this or that. Martin Campbell’s The Protégé stars Maggie Q, who, in turn, is the first Southeast Asian to star in a big-budget Hollywood action movie.
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